From the article:
Golden-age pianists put a higher premium on bravura and spontaneity than on precise execution, and as a result many of them played far more wrong notes than would now be considered acceptable by critics and audiences. Nineteenth-century listeners had other priorities. When the British composer Charles Villiers Stanford heard Johannes Brahms play his Second Piano Concerto, he observed that the composer “took it for granted that the public knew he had written the right notes, and did not worry himself over such little trifles as hitting the wrong ones. . . . [T]hey did not disturb his hearers any more than himself.”
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